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DARKNESS IN EL DORADO How Scientists and Journalists Devastated the Amazon Patrick Tierney W.W. Norton & Company, 2000, 431 pp. |
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TieDark 03-2-20 |
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Tierney, described only as a visiting scholar at the University of Pittsburgh, spent 11 years writing this book. It is a research document (50 pages of end notes) and expose about the impact of anthropologists, geneticists and journalists investigating the Yanomami people of the Amazon Rainforest of Venezuela. Tierney raises the issues of “physical suffering and cultural deracination endured by the Yanomami, brought on by expeditions that spread disease, warfare, and cultural chaos among one of the most vulnerable groups in the world.” (327)
Several years ago, I was fascinated by Mark Ritchie’s book, Spirit
of the Rainforest. Largely through
interviews with Yanomami’s, and evangelical missionaries, Ritchie described the
power of the spirit world over the Yanomami.
He bitterly attacked anthropologists who had worked in the area. Because anthropologists are often openly
critical of missionaries, I was interested to read Tierney’s perspective.
Tierney has spent much time researching this book, both
among the people of the Amazon and in the written records, archives, and film
footage. His research indicates that
the “normal” anthropologists caused all kinds of illness and wars among the
people and did little to help them, that they misrepresented their data to make
it conform to their theories, and that the “abnormal” anthropologists were
almost unspeakable.
I found Tierney very believable until he got to the chapter
describing research done on behalf of the Atomic Energy Commission. The introduction (in an area in which I have
some professional background) was so one-sided as to call into question the
objectivity of the remainder of the book.
Napoleon Chagnon, a primary character in the book, published
Yanomamo: The Fierce People, in 1968.
It became the all-time best seller in anthropology, purchased by 4
million students. (7) Tierney was surprised to find the terrifying
and ‘burly’ people were “among the tiniest, scrawniest people in the world,”
adults averaging four feet seven inches in height. (8)
Chagnon’s book surpassed Coming of Age in Samoa by
Margaret Meade, who “conjured up an idyllic society in the South pacific, whose
sexual freedom coincided with the theories of her mentor….” “Mead managed to ignore the fact that the
Samoans had one of the highest indices of violent rape on the planet.” (11-12)
Chagnon arrived at the Amazon-Orinoco watersheds in
1964. “Chagnon picked up where Social
Darwinists left off. He emphasized the
necessity of lethal competition in nature and the inevitable dominance of murderous
men in a prehistoric society.” (12)
The films made by Chagnon, and aired many times by Nova and
the BBC, for example “Warriors of the Amazon,” followed “a pattern of
choreographed violence….” “In reality,
the hosts had not had any wars in years, until the film crew arrived….” (14)
“Anthropolotists have left an indelible imprint upon the
Yanomami. In fact, the word anthro
has entered the Indians’ vocabulary, and it is not a term of endearment. For the Indians, anthro has come to
signify … a powerful nonhuman with deeply disturbed tendencies and wild
eccentricities….” (14)
“Chagnon, according to videotaped testimony… played the role
of a shaman who took hallucinogens and incorporated the most fearsome entities
of the Yanomami’s sprit pantheon.” (15)
“Villages were named for Lizot and Chagnon, as though they
were great Yanomomi chiefs. And the
anthropologists’ village took on their personalities. Chagnon’s Yanomami were more warlike than any other group;
Lizot’s village became the capital of homosexuality.” (15-16)
The ability to bring epidemics “… is unquestionably the most
impressive legacy of scientists and journalists on the Upper Orinoco. …hundreds of Yanomami died in the immediate
wake of exploration and filming. (16)
Ch 3 is about Chagnon filming The Feast, and other
wars. The chapter describes how Chagnon
provoked the wars he filmed. “Within
three months of Chagnon’s sole arrival on the scene, three different wars had
broken out, all between groups who had been at peace for some time and all of
whom wanted a claim on Chagnon’s steel goods.”
(30)
Ch 4 discusses
Atomic Energy Commission collection of a multitude of blood samples for genetic
study of a control group to contrast to the Japanese exposed to the atomic
bomb. Among other problems, the
Yanomami experienced epidemics of infections disease as a result of the
contact. (51)
Ch 5 describes how genetic experiments of measles
vaccinations with a live vaccine in 1968 resulted in hundreds dieing of the
imported disease. It appears the
investigators did not make serious efforts to get doctors or medicines for the
dieing people.
Ch 6 described what really happened in filming. It was all staged and the Indians did it for
the gifts.
Ch 7 describes how exaggeration, imagination, and invention twisted facts to satisfy scientific curiosity. These were not first contacts with pristine societies. The presumed peace brokering was actually causing war that would not otherwise have happened. Gun killings were blamed on missionaries loaning guns when they were obtained by trading goods they got from payment by Chagnon for the filming. Imaginative theories were reported as facts. “Students who see The Ax Fight, Magical Death, or any of the twenty other films about the Mishimishimabowei-teri have not been burdened by the knowledge that the community was decimated shortly after the filmmaking.” (120)
Ch 8 follows the French anthropologist Jacques Lizot, a
Gypsy, homosexual, and Parisian. He
“established a reputation for both ferocity and erotic energy that surpassed
any Yanomami’s.” He was repeatedly
denounced for child molesting.
(126) He was a protégée of
Levi-Strauss who “firmly eschewed activism on their behalf because it would
have shattered his scientific mirror of contemplation and objectivity.” (127)
“Lizot traveled in the company of boys, who began
accumulating trade surpluses.”
(127) Stories about his
pedophilia were commonly known. When
Lizot wrote the ethnography of Yanomani sexuality, he reported that sodomy was
normal for children. According to
Lizot, there was no shame and no blame for any kind of sexuality. (133)
(According to others, homosexuality was rare and never open.) In some villages, sodomy became Lizot-mou,
“to do like Lizot.” (134)
“Everybody was getting all sorts of gifts.” “We used to call it Boys Town. They all had perfume and whole necklaces and stereo equipment they’d listen to. It was wild. It was obvious what was going on.” (143) “Many people had tried to remove Lizot and failed. Many people had tried to stop Lizot. No one had gained health or good fortune from it.” (147)
Ch 9 is about Charles Brewer Carias, another of the big men
involved among the Indians. He was a
research associate of the New York Botanical Garden, a photographer, and sort
of a wild man. He got involved in the
mining business.
Ch 10 describes how the anthropologists promoted their
Darwinian theories that the men who killed the most got the most wives and had
the most progeny, even though the real data didn’t support it. Chagnon created the popular image of
Yanomami waging war for women. He
didn’t seem to be aware that he wasn’t accurately representing the data. (178)
In Ch 11, a mistress of the Venezuelen president gets into
the act by financing some combination of nature center and illegal mining
operation.
A number of times in the book it comes up that people were
dying during the filming and the anthropologist would not summon help for
them. Here’s one example: “And I went up to Chagnon and said, ‘You
know these people are really sick. Some
of them could die. We’ve been in one
village where three people died within twenty-four hours. Here people are spitting blood. I think we should go and get help.’ There
were doctors at the mission. There was
medical help that could be gotten just a few hours away. And Chagnon just told me that I would never
be a scientist. A scientist doesn’t
think about such things.” … “But he said, ‘No. No. That’s not our problem.
We didn’t come to save the Indians.
We came to study them.’” (184)
“Chagnon and Brewer knew how to attract the interest of the
international press corps—by providing helicopter rides to virgin
villages.” (187) The press doesn’t come off very good in this
book either – willing to risk the lives of the Yamomami for a breaking story,
and not digging too carefully into facts.
Ch 12 gets more into the illegal gold mining operations and
the havoc caused among the Indians. Ch
13 is more about the staging and results of filming. These are portrayed as first time western contacts. “In the film, new trade goods could be seen
all over the freshly constructed shabono (pots without smoke in them,
shiny machetes and axes.)” (217) It was clear the Yanomami had been paid for
the acting, and had also suffered much.
A family of American missionaries, the Dawsons, watched Warriors
of the Amazon. Among their eight
members, they had collectively spent over 200 years with the Yanomami and had
contact with every linguistic group except one. “The missionaries stopped laughing when the camera followed the
progressive weakening and death of a mother and her newborn infant, which
occurred over the weeks the film crew was in the village. ‘In most cases, death from fever is a very
preventable death,’ said Mike Dawson, who has lived since birth with the
Indians, over forty-five years. ‘With
just a little bit of help, they could have pulled through. The film crew interfered in every other
aspect of their lives. Let’s be
real. They’re giving them machetes,
cooking pots, but they can’t give a dying woman aspirin to bring her fever
down?’” (216-17)
“What they paid for filming her funeral must have been
enormous,” said Mike Dawson. “I mean,
they’ve never let us film a funeral, and we’ve been with them all these years. Believe me, a lot of lives could have been
saved for what they paid to get that film.”
(218)
“There is not one instance where the film was not staged, in
my experience.” Father Jose Bortoli,
head of the Salesian mission of Mavaca.
(219)
“Artistically, they repeated the oldest cliché in the
Yanomami film repertoire—a misleading film about a fake feast that co-generated
a dangerous new military alliance. And
it was all performed in the middle of a deadly outbreak of falciparum
malaria.” (220)
“The content of Warriors of the Amazon followed the
commercial requirements of television sequels—in this case, the never-ending
need to obtain supplies of savage, remote Indians.” “The role of the film crew was kept invisible even as it made the
ultimate decisions: to evacuate the sick or let them die.” (222)
Every single place that Chagnon claimed first contact and
discovery had been really achieved by Helena Valero, a Portugese girl captured
at age ten who had lived decades among the people. “In the history of discovery, accuracy mattered. In the history of Amazonian discovery,
Chagnon misrepresented Valero’s life.”
(246) “The scientific prestige
of The Fierce People, as well as the famous thesis that Yanomami
murderers have more offspring than nonmurderers, depends on the reliability of
oral histories. Yet Chagnon’s reports
diverged remarkably from Valero’s, a woman with a phenomenal memory of
clans. (247) If the anthropologists had given Valero due credit, it would have
detracted from their own mystique.
(248) Chagnon’s series editors
“have collaborated for thirty years in the theft of Helen Valero’s singular
achievements.” (249)
Ch. 16 deals with the diet and health of the people. Ch 17 deals with how the Yanomamo, who have
much involvement with the spirit world, interpret western technology such as
planes, helicopters, guns, flash cameras, etc.
“If there is one art at which the Yanomami excel any people
I have met, it is in the realm of the spirit.
When a man becomes a shaburi, he fasts on a liquid plantain soup,
while participating in marathon chanting and hallucinogenic drug taking, all
under the direction of older healers.”
“…animal skins represent spirits that the young shaman will welcome into
his chest. The jaguar is a powerful noreshi,
alter ego, which many shamans incorporate.
Some shamans have more than one such spirit.” “In a mysterious way, the Yanomami consider themselves to be
animal spirits (noreshi), nature spirits (hekura), and humans,
all at once.” “The Yanomami are very
confident of their knowledge of the spirit world, as confident as they are of
our ignorance in that realm.” (285)
Ch 18 deals with radioisotope distribution studies done on
the Yanomami’s, sponsored by the Atomic Energy Commission. The introduction about the AEC is so
negatively and bitterly biased, from a current popular university political
view of the atomic bomb, that it casts questions about the possible political
motivation of the whole book. One
wonders if the postmodernists are correct: everyone writes to persuade others
of their view and sees and interprets all the data from their own biased
perspective.
Consider this sentence:
“Colonel Stafford Warren [chief of the Manhatten Project] and his kin
were the real unokais [murderers], who had killed 150,000 people, the
great majority unarmed civilians, in Hiroshima and Nagasaki.” (313) ************